In Coralie Fargeat's new feminist scary movie The Substance, unsafe societal charm criteria are the genuine creatures. They (female objectification, the disposal of "the aged," the proliferation of a business built on body alteration) nourish a beast of a cycle that leads Demi Moore's fading television individual character Elisabeth https://mirrormirror.isblog.net/margaret-qualley-the-substance-2024-47236214